Pickard Creamer & Sugar w/Lid Daisy & Rose Encrusted Gold 1930-1938 No Wear

Description

Pickard Creamer & Sugar w/Lid Daisy & Rose Encrusted Gold 1930-1938 No Wear
Pickard Creamer & Sugar w/Lid Daisy & Rose Encrusted Gold 1930-1938 No Wear
Exquisite Decorative
PICKARD CREAMER & SUGAR w/LID,
Encrusted GOLD in the DAISY & ROSE Pattern,
from Antioch, Illinois, USA, circa 1930-1938
DESCRIPTION:
This simple but elegant pattern uses an encrusted gold leaf in the Rose & Daisy pattern.  The inside of the creamer does nor have the pattern--it is a solid gold.  The inside of the sugar is high white as are both bottoms.    The handles are a solid gold.  See the photos.
CONDITION:
The condition of this decorative set is superb.  We can find no defects or damage.  There is no rubbing to the encrusted gold.  There are no chips, nicks, cracks, rubbings, scratches or hairlines.  Please refer to the photos to see how classically beautiful this is.
DIMENSIONS:
The elegant creamer is 3 3/4" handle to the spout with a diameter of 2 3/4" and a height of 3 3/4".  The sugar is 4 1/2" handle to handle with a maximum diameter of 3 1/4" and a height of 4 1/2" to the top of the lid.
HISTORY/MARKS:
Pickard China has a long history dating back to 1893 when Wilder Pickard established his company in Edgerton, Wisconsin.  Towards the end of the century, he moved his business to Chicago and specialized in hand painted porcelain and art pieces.  He purchased a 2 family row house at 316 LaSalle Street in Chicago.  He listed this as his business location through 1902.  Picard gradually acquired the use of a number of nearby horse barns evolving into a fragmented studio.  He still depended on much “cottage” work.  His first real studio operated in the 1903-1905 time period in a converted carriage barn which was built shortly after the 1871 Chicago Fire, hence the name “The Carriage Barn” which employed 32 artists during this time period.  He moved to Ravenwood Studio in 1905 on the North Side of Chicago.  Anna Atkins (Pickard's sister) suggested that Tiffany's look of hammered gold might be emulated in china by the use of acid etching.  Pickard installed an acid etching room in the rear of the studio on the second floor in 1911.  Joseph Yeschek's son, Frank, was placed in charge.  Use of the solid gold maple leaf mark placed over the manufacturer's mark started in 1912 and was overstamped with a red double circle.  This changed to a black double circle in 1913.  The US Customs Service prohibited the covering of the country of manufacturing and admonished Pickard several times prompting him by 1916 to place the gold maple leaf beside the manufacturer's mark.
Pickard's son, Austin, joined the company in the late 1920’s and experimented in developing a fine china dinnerware body.  He moved the company in 1930 to Antioch, IL where it remains today where the 4th generation of family members leads Pickards.  After the Great Depression by 1933, only 7 decorating studios remained in the china decorating business in the Greater Chicago area with Pickard being the largest one.  The Pickard China mark on this piece is identified by Alan B. Reed’s Collector’s Encyclopedia of Pickard China as mark #14 which was used 1930-1938.  Note: Both pieces carry a Japan mark indicating they were imported from Japan as whiteware to be decorated with the encrusted gold by Pickard.
Please view all pictures carefully as they are part of the description. The stand was used as a photo prop and is not part of this listing.
We are fast and safe shippers offering FREE USPS PRIORITY MAIL SHIPPING WITHIN THE USA on this piece with insurance and tracking included.
For our INTERNATIONAL buyers, we offer buyer paid calculated rate USPS International shipping with insurance provided by the seller. See additional international policies below.
This is ready to use or display with pride in your home.
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